March 2026 Content Drop

JOPLYN

On Berlin, Nightlife, and Electronic Music Culture

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BRITISH MUSIC EMBASSY:
uk artists going global

THE ROXY LOS ANGELES MAY 21ST 2026

the molotovs

SET LIST:
Urbia
Down at the Cage
Daydreaming
Geraldine
Johnny
More More More
My Metallic Wife
Get A Life
Newsflash
Suff City
R.O.Y
Wasted On Youth
Today's Gonna Be Our Day
Come On Now
‍

the molotovs

SET LIST:
Urbia
Down at the Cage
Daydreaming
Geraldine
Johnny
More More More
My Metallic Wife
Get A Life
Newsflash
Suff City
R.O.Y
Wasted On Youth
Today's Gonna Be Our Day
Come On Now
‍

COACH PARTY

SET LIST:
Do It For Love
Control
Georgina
Nurse Depression
All I Wanna Do Is Hate
Micro Aggresion
Disco Dream
Still Hurts
Girls!
‍

red rum club

SET LIST:
Buck
American Nights
Undertaker
Afternoon
Eleanor
Daisy
Wild
Animal
Comedown
Crush, TX
Kids Addicted
Vibrate
Black Cat
Hole In My Home
‍

red rum club

SET LIST:
Buck
American Nights
Undertaker
Afternoon
Eleanor
Daisy
Wild
Animal
Comedown
Crush, TX
Kids Addicted
Vibrate
Black Cat
Hole In My Home
‍

SXSW AUSTIN TEXAS 2026
WITH BBC INTRODUCING

better joy

What does performing to a live audience mean to you?

"It’s an amazing feeling having people sing back your lyrics to you. One of the coolest feelings ever actually. I’ve learnt so much from performing live and how that is going to impact how I tackle my next project. The energy is everything and I love prancing around the stage and just having fun. I’m going to take that fun into the studio and make sure it represents the energy on stage as much as possible, but also I think it’s an important part of the process to not let the live show dictate how you create in the studio. To me, as long as the songs capture a real sense of energy in the studio, you can tackle the live shows as another project. It's all a form of expression and creativity."

feet

SOFIA AND THE
ANTOINETTES

AMIE BLU

feet

SOFIA AND THE
ANTOINETTES

AMIE BLU

Digital ART EXHIBIT

WITH SPECIAL THANKS TO SECRET WALLS STUDIOS

Local Los Angeles street artists re-imagine iconic album covers and vinyls
Original works created for Concentus Music

View the exclusive curation of original works

Hover here to scroll

MUFASA
‍
Re-imagination of:
“DARK SIDE OF THE MOON”
Pink Floyd (1973)
‍
Spray Paint and Acrylic Marker
‍
@mufasa.floats

JADE BELL
‍
Re-imagination of:
“A Seat at the Table”
Solange (2001)
‍
Oil and Acrylic

@notjadetattoos

VMR3.
‍
Re-imagination of:
“Crime Pays”
Willie Colón & Hector Lavoe (1972)
‍
Acrylic Paint

@vmr.3

UPENDO
‍
Re-imagination of:
“Ice Cream Castle”
The TIme (1984)
‍
Acrylic, Posca and Spray Paint

@upendo_

DOMINYKA OBELENYTE
‍
Re-imagination of:
“By The Way”
Red Hot Chilli Peppers (2002)
‍
Mixed Media

@domdabomburmom

MEL DEPAZ

Re-imagination of:
“Hot Fuss”
The Killers (2004)
‍
Acrylic Paint

@meldepaz

MISTER SAMPSON
‍
Re-imagination of:
“Hip Hop is Dead”
Nas (2006)
‍
Acrylic Paint

@mister_sampson

MIMI WORTHGE
‍
Re-imagination of:
“Nurture”
Porter Robinson (2021)
‍
Acrylic Paint

@miimsicalart

YAICECREAM
‍
Re-imagination of:
“Forever Dolphin Love”
Connan Mockasin (2010)
‍
Acrylic Paint

@yaicecream

DROK

Re-imagination of:
“The Low End Theory”
A Tribe Called Quest (1991)
‍
Acrylic Paint

@pimpfriedrice_

LUKE EHLY
‍
Re-imagination of:
“Is This It?”
The Strokes (2001)
‍
Oil and Acrylic

@bylukeehly

KONFUSED

Re-imagination of:
“Piece of Mind”
Iron Maiden (1983)
‍
Mixed Media and Acrylic

@thekonfused

MUFASA
‍
Re-imagination of:
“Dark Side of the Moon”
Pink Floyd (1973)
‍
Spray Paint and Acrylic Marker
‍
@mufasa.floats

JADE BELL
‍
Re-imagination of:
“A Seat at the Table”
Solange (2001)
‍
Oil and Acrylic

@notjadetattoos

VMR3.
‍
Re-imagination of:
“Crime Pays”
Willie Colón & Hector Lavoe (1972)
‍
Acrylic Paint

@vmr.3

UPENDO
‍
Re-imagination of:
“Ice Cream Castle”
The Time (1984)
‍
Acrylic, Posca and Spray Paint

@upendo_