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Digital ART EXHIBIT
WITH SPECIAL THANKS TO SECRET WALLS STUDIOS
Local Los Angeles street Artists re-imagine iconic album covers and vinyls
View the exclusive curation of original works
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MUFASA
Re-imagination of:
“DARK SIDE OF THE MOON”
Pink Floyd (1973)
Spray Paint and Acrylic Marker
@mufasa.floats
JADE BELL
Re-imagination of:
“A Seat at the Table”
Solange (2001)
Oil and Acrylic
@notjadetattoos
VMR3.
Re-imagination of:
“Crime Pays”
Willie Colón & Hector Lavoe (1972)
Acrylic Paint
@vmr.3
UPENDO
Re-imagination of:
“Ice Cream Castle”
The TIme (1984)
Acrylic, Posca and Spray Paint
@upendo_
DOMINYKA OBELENYTE
Re-imagination of:
“By The Way”
Red Hot Chilli Peppers (2002)
Mixed Media
@domdabomburmom
MEL DEPAZ
Re-imagination of:
“Hot Fuss”
The Killers (2004)
Acrylic Paint
@meldepaz
MISTER SAMPSON
Re-imagination of:
“Hip Hop is Dead”
Nas (2006)
Acrylic Paint
@mister_sampson
MIMI WORTHGE
Re-imagination of:
“Nurture”
Porter Robinson (2021)
Acrylic Paint
@miimsicalart
YAICECREAM
Re-imagination of:
“Forever Dolphin Love”
Connan Mockasin (2010)
Acrylic Paint
@yaicecream
DROK
Re-imagination of:
“The Low End Theory”
A Tribe Called Quest (1991)
Acrylic Paint
@pimpfriedrice_
LUKE EHLY
Re-imagination of:
“Is This It?”
The Strokes (2001)
Oil and Acrylic
@bylukeehly
KONFUSED
Re-imagination of:
“Piece of Mind”
Iron Maiden (1983)
Mixed Media and Acrylic
@thekonfused
MUFASA
Re-imagination of:
“Dark Side of the Moon”
Pink Floyd (1973)
Spray Paint and Acrylic Marker
@mufasa.floats
JADE BELL
Re-imagination of:
“A Seat at the Table”
Solange (2001)
Oil and Acrylic
@notjadetattoos
VMR3.
Re-imagination of:
“Crime Pays”
Willie Colón & Hector Lavoe (1972)
Acrylic Paint
@vmr.3
UPENDO
Re-imagination of:
“Ice Cream Castle”
The Time (1984)
Acrylic, Posca and Spray Paint
@upendo_
DOMINYKA OBELENYTE
Re-imagination of:
“By The Way”
Red Hot Chilli Peppers (2002)
Mixed Media
@domdabomburmom
MEL DEPAZ
Re-imagination of:
“Hot Fuss”
The Killers (2004)
Acrylic Paint
@meldepaz
MISTER SAMPSON
Re-imagination of:
“Hip Hop is Dead”
Nas (2006)
Acrylic Paint
@mister_sampson
MIMI WORTHGE
Re-imagination of:
“Nurture”
Porter Robinson (2021)
Acrylic Paint
@miimsicalart
YAICECREAM
Re-imagination of:
“Forever Dolphin Love”
Connan Mockasin (2010)
Acrylic Paint
@yaicecream
DROK
Re-imagination of:
“The Low End Theory”
A Tribe Called Quest (1991)
Acrylic Paint
@pimpfriedrice_
LUKE EHLY
Re-imagination of:
“Is This It?”
The Strokes (2001)
Oil and Acrylic
@bylukeehly
KONFUSED
Re-imagination of:
“Piece of Mind”
Iron Maiden (1983)
Mixed Media and Acrylic
@thekonfused
WITH SPECIAL THANKS TO SECRET WALLS STUDIOS
for hosting our in-person gallery and live music speakeasy
- los angeles march 11 2026 -
UK artists going global
better joy
What does performing to a live audience mean to you?
"Oh my god there is nothing better! It’s an amazing feeling having people sing back your lyrics to you - it makes me really appreciate how far I’ve come, a real pinch me moment. One of the coolest feelings ever actually, I can’t lie. I’ve learnt so much from performing live and how that is going to impact how I tackle my next project. The energy is everything and I love prancing around the stage and just having fun. I’m going to take that fun into the studio and make sure it represents the energy on stage as much as possible, but also I think it’s an important part of the process to not let the live show dictate how you create in the studio, because to me, as long as the songs capture a real sense of energy in the studio, you can almost tackle the live shows as another project. Which is so exciting as its all a form of expression and creativity. So they’re both two facets to this where I feel the most alive and free."
us debuts: more to watch
Featured Performances from the British Music Embassy @ SXSW 2026
feet
SOFIA AND THE
ANTOINETTES
AMIE BLU
